How To Write A Concert Script

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How To Write A Concert Script
How To Write A Concert Script

Video: How To Write A Concert Script

Video: How To Write A Concert Script
Video: How To Write A Video Script For YouTube 2024, April
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During a well-constructed concert, the audience does not get tired. He enjoys it, and it seems to him that the actors perform because they just now wanted to sing or dance. For even an amateur concert to seem like a successful impromptu, first of all, a good script is needed. It should be known not only by the presenter and actors, but also by the sound engineer, and the illuminator, and the stage workers.

How to write a concert script
How to write a concert script

Instructions

Step 1

The program of a concert, where one group performs, is usually drawn up by the leader. His task is to show the ensemble and soloists in the most favorable light. The task of the screenwriter is to come up with an interesting move that would help solve this problem. For example, you might invite viewers to take a trip around the world and stop at a dance or song created in a particular country. You can imagine the era, show the musical instruments of that time and talk about them. The main thing is for the viewer or listener to have a complete impression of the subject of the conversation.

Step 2

Arrange the numbers in the order you want - for example, by creation time. Consider a few points. If the same performers are involved in several dances, they should be given the opportunity to rest and change. The same goes for other genres as well. For example, a vocalist can sing two or three songs, and then, after the instrumentalist's performance, return to the stage. The role of the presenter in such concerts is modest - he can talk about an era or a country, and then basically announces the performers. However, in any case, it is necessary to mark the change of lighting, rearrangement of the soundtrack, etc. in the script.

Step 3

The role of the scriptwriter in organizing a prefabricated concert, which is often called "hodgepodge" in the actor's argo, is quite important. Such concerts are often timed to coincide with any generally accepted holidays, anniversaries, graduation parties. Determine the focus of the concert and its target audience. A graduation party at a school or university will be different from the anniversary of the enterprise, which is expected to have a large number of veterans. The New Year's Eve concert should not be similar to the one held on Independence Day, although some numbers may be the same. Classical music, folk and ballroom dancing can be found in any group concert. You need to be careful with modern musical trends, circus numbers, staging.

Step 4

Think about how many branches you will have. Usually there is one or two. As a rule, the first is solemn, and the second is in a more free form. For the solemn part, a choir performance, a literary and musical composition, and a performance are suitable. Arrange the numbers in a specific order, trying to alternate genres. If the ceremonial part involves awards or congratulations, insert these episodes between numbers.

Step 5

A good ending to a concert is just as important as a good start. It is the ending that is remembered by the viewer, and it represents the climax. Often, the last number is performed by all the participants, and this is a well-known, but very successful option. Either way, try to end the program with something spectacular.

Step 6

Decide who will run the program. These can be just the presenters or some characters. In the second case, indicate what costumes and props you need. The leader's words can be both in poetry and in prose. It is better to choose professional poetry. If there is nothing on the topic, write an ordinary literate prosaic text. Remember, good prose is better than bad poetry. If a character leads the program, the text must match his character.

Step 7

Distribute pauses. Indicate what the audience is doing before the concert starts. They can, for example, watch an exhibition, participate in a lottery and gambling programs. In the script, note who exactly is responsible for these moments and what props are needed. There may be pauses in the program itself, especially if it is long. The audience at this time does not leave their seats, but they can play with some character, hold a song contest or ditties, etc. In any case, such pauses should be interactive.

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