Perhaps the most popular hit of lights in summer camps and parties with a guitar is "White Guard" by Zoya Yashchenko. Not surprisingly, aspiring performers would like to learn how to perform this touching and passionate love song against the backdrop of difficult events.
Instructions
Step 1
Practice the basic chords used in this song: for verse Em, Am, D, G (per chord per string), for chorus Em, Am, D, G, C, Am, H7, Em E7. The simplicity of this composition lies in the fact that it does not contain barre chords, which are the main difficulty for beginner guitarists. First practice the song with a G chord from the 2nd fret (the 5th string at the 2nd fret, the 6th and 1st strings at the 3rd fret). And then, as your skill improves, move on to a more complex variation of this chord - with a barre at the third fret.
Step 2
Play this song with any of the standard pop combat types. The simplest of them is: down-up-down-muffle. Or down-down-up-muffle. To create surround sound, play the White Guard with two guitars - one rhythm part with a fight and the other with a solo. The solo for this song looks like this in tablatures:
|------------------------------------------
|-------8---------8---------8----------5-
|-----9---------9---------4----------4---
|---9---- -----9 ---------5---------5-----
|-7---------6---------5---------4--------
|------------------------------------------
Step 3
Eyewitnesses of the performances of the author and performer of the song "White Guard" claim that Zoya Yashchenko herself plays this composition to the accompaniment of one guitar. The fullness and brilliance of the sound is achieved due to the fact that the little finger is actively working on the first strings, giving the impression of a solo guitar part. In the middle of the first line, complete the Em chord by pressing down on the second string at the third fret. In the middle of the second line, replace the Am chord with Am7 (the same strings plus the first string at the third fret) and then with Am6 (the first string at the second fret). In the middle of the third line, complete the D chord by pressing down on the first string at the third fret. Play the last line of the quatrain, as in the original performance, with a G chord from the third fret, in the middle of the line replacing it with G7 (same plus the second string at the 5th fret).
